Puccini was a true theatre composer, using every means available to move the emotions of an audience. His aim was dramatic truth.

The sweep and flow of the music propels riveting drama of love, jealousy and sacrifice with astonishing vigour and force.

And who better to direct an intimate actor’s piece but the distinguished actor/director John Bell, the artistic director of Bell Shakespeare.

He has joined forces with award-winning set designer Michael Scott-Mitchell and the young, emerging costume designer Teresa Negroponte to create a monumental staging set in Mussolini’s Italy in the 1940s, during the Nazi occupation.

Puccini’s irresistible score features the unforgettable aria, ‘Vissi d’arte’, a moment of heart-breaking poignancy in a plot where Floria Tosca and Cavaradossi are embroiled in an attempt to help a friend escape from prison.

The chief of police in Rome, Baron Scarpia, is himself the perpetrator of worse crimes than those he has officially to deal with.

Two true divas will share the title role, Alexia Voulgaridou and Cheryl Barker.

They are joined by the sensational tenors Yonghoon Lee and Diego Torre – while the breathtaking baritone John Wegner plays Scarpia in the legendary love triangle.

Conductor Christian Badea
Nicholas Milton (from 4 Aug)
Director John Bell by arrangement with Bell Shakespeare
Set Designer Michael Scott-Mitchell
Costume Designer Teresa Negroponte
Lighting Designer Nick Schlieper
Floria Tosca Alexia Voulgaridou (until 2 Aug)
Cheryl Barker (from 4 Aug)
Cavaradossi Yonghoon Lee (until 2 Aug)
Diego Torre (from 4 Aug)
Scarpia John Wegner
Douglas McNicol (20 & 25 July only)
Angelotti David Parkin
Sacristan John Bolton Wood
Gaoler Samuel Dundas
Spoletta Graeme Macfarlane
Sciarrone Michael Honeyman

Australian Opera and Ballet Orchestra

Opera Australia Chorus

Running Time: Approximately 3 hours and five minutes including two intervals of 35 and 25 minutes.

Performed in Italian with English surtitles.

Tosca at Sydney Opera House in 2013

Photo Gallery

Tosca at Sydney Opera House in 2013

Tosca: A Listening Guide


Tosca: A Listening Guide

Interview with Tosca Director John Bell


Interview with Tosca Director John Bell

“Bell has re-engaged the work's impact and dramatic tautness. It is a welcome debut with the company from a person who knows deeply how to let theatre work”

Sydney Morning Herald

"Bell's production was thoughtful and deeply considered"

The Australian

“...breathtaking performances, beautifully conducted music, dramatically creative direction and three wonderful sets.” 

Stage Whispers


Angelotti, who has just escaped from prison, finds a key left for him in a church by his sister, the Marchesa Attavanti, and hides in the Attavanti chapel. The sacristan enters, grumbling about having to clean the painter Cavaradossi's brushes. Cavaradossi returns to his work and, when Angelotti emerges from hiding, promises to help him but tells him to hide again when they hear Tosca approaching. AIthough she begins to suspect that he is having an affair with the Marchesa, Cavaradossi reassures her of his love before she leaves.

Angelotti tells Cavaradossi that his sister has left him some female clothing and that he intends to escape in disguise. Cavaradossi mentions a hiding-place down the well in his garden in case of emergency. They hear a shot, indicating that the escape has been discovered, and Cavaradossi rushes Angelotti to his safe house.

The sacristan announces a grand Te Deum to celebrate a report of a victory for the current regime. Excitement at this news is cut short by the arrival of Scarpia, on Angelotti's track. A search of the church reveals a fan with the crest of the Attavanti and, when Tosca returns, looking for Cavaradossi, Scarpia uses it to inflame her jealousy, as a way of winning Tosca for himself.


Scarpia waits for Tosca, who is singing at an official reception to celebrate the victory. Spoletta informs him that Angelotti has still not been found but that Cavaradossi has been arrested. Under interrogation he denies any knowledge of Angelotti. Tosca arrives as Cavaradossi is led off to torture. At first she refuses to tell Scarpia anything, but finally she can bear Cavaradossi’s suffering no longer and reveals Angelotti’s hiding-place. When Cavaradossi is brought in and hears Scarpia ordering the arrest of Angelotti it is obvious that Tosca has betrayed him. At this moment the news of a serious defeat for the current regime arrives. Cavaradossi is triumphant and Scarpia orders his execution.

Tosca begs for the life of her lover and Scarpia names his price: she must have sex with him in exchange for Cavaradossi’s freedom. Seeing no alternative, she agrees, and Scarpia orders Spoletta to perform a mock execution of Cavaradossi, after which he and Tosca will be able to escape. As he claims his reward, however, Tosca kills him.


Cavaradossi awaits execution. He remembers the happiness Tosca had brought him. Tosca then tells him what has happened and prepares him for the mock execution. She realises too late that she has been deceived by Scarpia: the execution was real. Tosca pays for Scarpia’s murder with her own life.