Arts Centre Melbourne, State Theatre, 6—28 May
On tour in Japan, the American sailor Pinkerton cannot wait to bed his Japanese bride. But he’s already dreaming of an American life with an American wife. When his ship departs, he condemns Butterfly to purgatory.
This new production is by Australia’s most famous choreographer, Graeme Murphy. It’s a contemporary look at Puccini’s alluring heroine. He captures the grace and gravity of a tale that begins in rapturous love and ends in cruel heartbreak. The production features floor-to-ceiling LED panels as a dynamic set. Fragments of film flutter across the stage. Puccini’s sublime music imbues this ageless story with beauty, from the irrepressible aria ‘Un bel dì’ (‘One fine day’) to the intense finale.
Arts Centre Melbourne, State Theatre, 16—29 May
Exclusive to Melbourne
Elsa stands accused of a horrible crime. She prays for a champion, and a noble knight appears. But his help comes with a condition: she must never ask his name. Does true love demand blind faith?
Lohengrin is a fantastical romance. It’s filled with shimmering string passages and angelic choruses, including the famous Bridal March. Wagner described his music as “streams of gold, ravishing the senses of the beholder.”
Arts Centre Melbourne, State Theatre, 25—30 May
No one can stand before Attila and his hordes, until a warrior woman turns his head. As he opens his heart to his prisoner Odabella, the barbarian king reveals his weakness.
So the scene is set for one of the great revenge operas of the 19th century: an early Verdi in the vein of Aida.
Jimmy Chi & Kuckles
Comedy Theatre, 12 June—12 July
Jimmy Chi’s coming-of-age musical Bran Nue Dae is an exuberant ride through 1960s Western Australia. A feel-good mash-up of rock-and-roll, gospel, country and blues music made this first-ever Aboriginal musical a sparkling success in 1990.
Relaxed performance: Saturday 20 June 2020, 2pm
A relaxed performance is designed to ensure guests with disability and their families, or anyone who may benefit from a more relaxed environment, can more fully enjoy the performance experience together.
Pinchgut Opera presents
Melbourne Recital Centre, 11 September
Music fit for royalty: Charpentier’s majestic Te Deum was written in honour of the Sun King, Louis XIV, and its grandeur and elegance reflect the magnificence of his palace at Versailles. Across the Channel, written just one year later, Purcell’s Come, Ye Sons of Art celebrates the birthday of Queen Mary with music of sheer delight.
Ford & Smith
The Coopers Malthouse, Merlyn Theatre , 30 September—3 October
Rembrandt was famous for his portraits: rosy cheeks, smiling women, luscious naked curves. He lived with his wife, Saskia, in love and luxury. But as an old man, Rembrandt did not paint laughing women. He died alone, destitute.
Discover this extraordinary story in the first revival of this 2009 chamber opera by Andrew Ford and Sue Smith.
Andrew McKinnon in association with Opera Australia presents
Arts Centre Melbourne, Hamer Hall, 3 October
Joseph Calleja is one of the most exciting lyric tenors in the world today. In this, his eagerly anticipated debut Australian tour, the Maltese-born singer described as the young Pavarotti will be joined by two of Australia’s best-loved artists, soprano Amelia Farrugia, who is also of Maltese heritage, and internationally acclaimed pianist Piers Lane, in an unforgettable performance.
Arts Centre Melbourne, Hamer Hall, 13 October
It’s got poison and betrayals galore. But the best reason to see Lucrezia Borgia in concert is to bask in the skills of an extraordinary soprano. Impossible trills and stratospheric notes make this classic Donizetti an important conquest for the best coloratura sopranos.
This is your chance to hear Jessica Pratt perform the title role of Lucrezia Borgia (including the infamous final aria) in concert.
Stein, Bock, Harnick & Friedman
Comedy Theatre, 15 November—20 December
Experience Fiddler on the Roof (A Fidler afn Dakh) in a new way — performed in Yiddish, the language of Tevye and his family!
Following sold-out seasons in New York, Australian audiences now have the chance to experience a unique, authentic language version of this much-loved musical theatre classic.