

Verdi
La Traviata
Sydney Opera House2 January–14 March 2024
Verdi
La Traviata
Sydney Opera House2 January–14 March 2024
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Location: Sydney
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See All Events2024
January
02 Jan 2024
04 Jan 2024
06 Jan 2024
10 Jan 2024
13 Jan 2024
17 Jan 2024
20 Jan 2024
27 Jan 2024
30 Jan 2024
February
03 Feb 2024
10 Feb 2024
22 Feb 2024
24 Feb 2024
28 Feb 2024
March
02 Mar 2024
07 Mar 2024
09 Mar 2024
14 Mar 2024
Venue
Joan Sutherland Theatre, Sydney Opera House
Bennelong Point, Sydney
Language
Sung in Italian with English surtitles
Running Time
Approximately 2 hours and 30 minutes, including one interval.
Please note
This production contains adult content including sexual themes and implied violence.
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Production Partner
Opera Australia presents La Traviata: A co-production by Opera Queensland, State Opera South Australia and West Australian Opera
“What should I do? Plunge into the vortex of pleasure and drown there?” – Violetta
Violetta is a coveted courtesan, the toast of Paris, desired by many. When she meets the ardent Alfredo, her life changes forever and she longs to break free of her past. But can she? Who is this woman beyond the sparkling salon? This fresh production of an opera classic invites new questions.
From the vivacious chorus of the famous ‘Brindisi’ to Violetta’s soaring ‘Sempre libera’ and the breathless notes at the opera’s tragic end, Verdi’s music for La Traviata is a thrilling, emotional experience.
This new production has been called “an absolute triumph” (The AU Review). Director Sarah Giles brings Violetta’s inner world centre stage in a glittering production that shows the heartache behind the glamour is but a heartbeat away.
Charles Davis’ set design highlights Violetta’s private turmoil, even in the midst of spectacular crowd scenes. His stunning gowns reflect the silhouettes of the Victorian era, with all the fun of 20th century couture.
This La Traviata brings home Australians currently dazzling on the international stage. Conductor Jessica Cottis makes her Opera Australia debut with an exciting cast. Soprano Samantha Clarke reprises her sublime performance in the title role, tenor Kang Wang is back to thrill Australian audiences as Alfredo and New Zealand baritone Phillip Rhodes makes his Opera Australia debut as Giorgio Germont.
Trailer
The Music
Cast & Creative
Conductor
Director
Set and Costume Designer
Lighting Designer
Revival Choreographer
Intimacy Coordinator
Violetta Valéry
Alfredo Germont
Giorgio Germont
Flora Bervoix
Gastone
Baron Douphol
Marquis d’Obigny
Doctor Grenvil
Annina
Giuseppe
Messenger
Servant
Opera Australia Dancers
Opera Australia Orchestra
Opera Australia Chorus

Cheat Sheet: La Traviata
Everything you need to know about the world's most-performed opera.
What happens in the story? Who was the composer? What should I expect from the music? Here’s everything you need to know…

Page to Stage: La Traviata
See how Charles Davis’ beautiful designs made their way from design sketch and render to the stage.
La Traviata, first produced by Opera Queensland, State Opera of South Australia and West Australian Opera (2022)
Photographer: Clinton Bradbury
La Traviata, first produced by Opera Queensland, State Opera of South Australia and West Australian Opera (2022)
Photographer: Jade Ferguson, Visual Poets Society
La Traviata, first produced by Opera Queensland, State Opera of South Australia and West Australian Opera (2022)
Photographer: Clinton Bradbury
La Traviata, first produced by Opera Queensland, State Opera of South Australia and West Australian Opera (2022)
Photographer: Jade Ferguson, Visual Poets Society
La Traviata, first produced by Opera Queensland, State Opera of South Australia and West Australian Opera (2022)
Photographer: Clinton Bradbury
La Traviata, first produced by Opera Queensland, State Opera of South Australia and West Australian Opera (2022)
Photographer: Clinton Bradbury
La Traviata, first produced by Opera Queensland, State Opera of South Australia and West Australian Opera (2022)
Photographer: Clinton Bradbury
Synopsis
ACT I
Violetta’s Paris salon
Violetta is unwell. After spending time in a sanatorium to treat her tuberculosis, the notorious courtesan marks her return to Paris with a lavish party, entering on the arm of her current lover, Baron Douphol.
Alfredo has wanted to meet Violetta for some time. He is introduced to her by his confidant Gastone. She convinces Alfredo to sing a drinking song. He toasts to love; she toasts to freedom.
As the guests make their way to the ballroom, Alfredo confesses his love for her and Violetta considers if a life with financial security is worth sacrificing for true love (‘Sempre libera’).
ACT II, SCENE 1
Violetta’s home outside Paris
Three months later, Violetta and Alfredo are now living together in the countryside, madly in love – but at what cost? Violetta has been selling her belongings to pay their expenses. When Alfredo finds out, he’s wracked with guilt and leaves for Paris to organise money.
At the same time, Alfredo’s father, Giorgio Germont, visits Violetta to ask her to give up her relationship with Alfredo. He makes it clear that her involvement with Alfredo will be the undoing of the Germont family, threatening the daughter’s engagement.
Violetta agrees to sacrifice her happiness and departs for Paris, leaving a farewell message for Alfredo.
Returning to find Violetta gone, Alfredo is devastated. Despite his father’s attempts to console him, Alfredo leaves to confront the woman who has broken his heart.
ACT II, SCENE 2
Party at Flora’s home
Violetta arrives at an opulent party hosted by fellow courtesan Flora. Once more she is on the arm of the Baron. Alfredo is gambling.
Alfredo begins to insult the Baron, challenging him to a game of cards in which he fails to win a single hand. Violetta begs Alfredo to leave the party before the Baron seeks revenge, but Alfredo won’t leave without Violetta. Knowing the danger he faces, Violetta attempts to save Alfredo by declaring love for the Baron.
Wounded and humiliated, Alfredo retaliates by throwing money at Violetta’s feet – a payment for her services. Germont reproves his son for this behaviour.
ACT III
Violetta’s bedroom
The doctor has given Violetta just a few hours to live.
Violetta reflects on a letter from Germont telling her that the Baronwas only wounded in his duel with Alfredo. Germont has revealed Violetta’s sacrifice to Alfredo, who – having fled the country – is returning to seek her forgiveness.
Alfredo hastens to her side, only to find her on the brink of death.
To comfort her, Alfredo talks of plans for a new life together away from Paris. Violetta’s last thoughts are of freedom, hope and love as she dies in Alfredo’s arms.
Production Partner
Opera Australia presents La Traviata: A co-production by Opera Queensland, State Opera South Australia and West Australian Opera