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2022

July

Tue
05 Jul 2022

Fri
08 Jul 2022

Tue
12 Jul 2022

Thu
14 Jul 2022

Sat
16 Jul 2022

Mon
18 Jul 2022

Thu
21 Jul 2022

Sat
23 Jul 2022

Wed
27 Jul 2022

Fri
29 Jul 2022

October

Sat
22 Oct 2022

Wed
26 Oct 2022

Fri
28 Oct 2022

Mon
31 Oct 2022

November

Wed
02 Nov 2022

Fri
04 Nov 2022
Venue

Joan Sutherland Theatre, Sydney Opera House
Bennelong Point, Sydney

Language

Sung in Italian with English surtitles.

Running time

Approximately 2 hours and 40 minutes, including two intervals.

Production partner

Raise your glass, bat your lashes, it’s Paris in the salons and you’re the life of this party. He’s staring at you, he’s singing for you…Are you tempted?

Violetta wears velvet and lace and drinks only the finest champagne from crystal glasses. Her parties are legendary, her company desired. She’s free and freespirited, living outside society’s bounds, and for the courtesan, it seems like the party will never end. Could a little love really change everything?

La Traviata is so popular because it puts a life we can only dream of on stage, with its risqué glamour, joys and sorrows.

Verdi’s music sings of freedom with flying melodies, makes merry with rousing drinking songs and leaves us with passionate duets between breaking hearts.

This production by Elijah Moshinsky is one of our most successful, featuring lush party scenes in Paris and beautiful autumn afternoons in the countryside.

Lavish sets and exquisite costumes combined with Verdi’s famous score offer the perfect way to experience opera for the first time, or the chance to revisit a favourite with an exciting new cast.

Home-grown talent Stacey Alleaume is rapidly gaining international recognition. Here, she reprises her role as Violetta after a stunning season in Handa Opera on Sydney Harbour.

Cast & Creative

Conductor
Tahu Matheson (Oct–Nov)
Director
Revival Director
N.N
Set Designer
Costume Designer
Lighting Designer
Choreographer
Violetta Valéry
Irina Lungu (Oct–Nov)
Alfredo Germont
Saimir Pirgu (Jul)
Ji-Min Park (Oct–Nov)
Giorgio Germont
Mario Cassi (Jul)
José Carbó (Oct-Nov)
Flora Bervoix
Agnes Sarkis (Jul)
Celeste Haworth (Oct–Nov)
Gastone
Baron Douphol
Marquis d'Obigny
David Parkin (Jul)
Andrew Moran (Oct–Nov)
Doctor Grenvil
Annina
Giuseppe
Messenger
Servant

Opera Australia Chorus
Opera Australia Orchestra

La Traviata at Sydney Opera House (2018)

Photographer: Prudence Upton

La Traviata at Sydney Opera House (2018)

Photographer: Prudence Upton

La Traviata at Sydney Opera House (2018)

Photographer: Prudence Upton

La Traviata at Sydney Opera House (2018)

Photographer: Prudence Upton

La Traviata at Sydney Opera House (2018)

Photographer: Prudence Upton

La Traviata at Sydney Opera House (2018)

Photographer: Prudence Upton

Cheat Sheet: La Traviata

Here's what you need about the world's most popular opera.

What happens in the story? Who was the composer? What should I expect from the music? Here’s everything you need to know…

Read the cheat sheet

 

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Keeping you safe at the theatre

COVID Safety

Our performances will comply with all Public Health Orders and adhere to our epidemiologist-approved COVID-Safe Plan, including any requirement at the time of the performance that audience members be vaccinated. Full details of our COVID-Safe Plan will be published online closer to the event.

Synopsis

Act I

Violetta has been to a sanatorium to treat her tuberculosis. On her return to health she throws a party to mark her re-emergence in the demi-monde under the protection of Baron Duphol. Her guests have just completed a long lunch and the Baron is reading the last pages of a novel by Dumas to Violetta as Flora, a rival courtesan, enters with her protector the Marquis.

Alfredo is introduced to Violetta by the decadent Gaston. Alfredo has begged Gaston to introduce him to Violetta. He has long been enthralled by her and has enquired after Violetta every day of her illness.

Violetta insists that everyone sits together and drinks a toast to the occasion. Alfredo is prevailed upon to sing a drinking song from Provence.

As the guests leave to dance in the ballroom, Violetta feels faint and is momentarily left alone. Alfredo re-enters and confesses his love for her. She asks him to return the following day.

After her guests leave and she is alone, Violetta begins to consider the conflicting feelings of love and hedonism that are pulling her in opposite directions.

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