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Siegfried

Wagner

Siegfried

2016
Arts Centre Melbourne, State Theatre

The Ring Cycle’s third part is intensely focused on the fortunes of a single figure. Siegfried charts the rise of the son of Siegmund and Sieglinde into the greatest hero of the age. Following Sieglinde’s death, Siegfried has been raised by the dwarf Mime, brother of Alberich. Although Mime loathes Siegfried, he hopes Siegfried will kill the dragon Fafner, guardian of the all-powerful ring. Instead, Siegfried kills both Fafner and Mime, claims the ring for himself and sets off to find the sleeping Brünnhilde. Siegfried braves the flames, wakes her with a kiss and the two declare their powerful feelings of love in one of the most thrilling and extended love duets in all opera.


A Day with the Ring

A Day with the Ring is an all-day symposium during each of the three Ring Cycles. Conceived and chaired by Peter Bassett and involving experts in various fields, these symposia will examine The Ring and its staging from many perspectives. Book at renaissancetours.com.au.


Other operas in the Ring cycle

 


Conductor Pietari Inkinen
Director Neil Armfield
Associate Directors Kate Champion
  Roger Press
Set Designer Robert Cousins
Costume Designer Alice Babidge
Lighting Designer Damien Cooper

Sound Designer

Jim Atkins
Associate Conductor Anthony Legge
Assistant Conductor Tahu Matheson
Assistant Directors Greg Eldridge
  Tama Matheson
Assistant to the Lighting Designer James Lipari
Movement revival Frankie Snowdon
   
Siegfried Stefan Vinke
Brünnhilde Lise Lindstrom
Erda Liane Keegan
Mime Graeme Macfarlane
The Wanderer James Johnson
Alberich Warwick Fyfe
Fafner Jud Arthur
Woodbird Julie Lea Goodwin

with

Opera Australia Chorus

The Melbourne Ring Orchestra

The Ring Cycle requires huge orchestral forces. The Melbourne Ring Orchestra will unite 135 musicians. Opera Australia's Melbourne performance partner, Orchestra Victoria, will be joined by outstanding musicians from national and international orchestras, including the Australian Opera and Ballet Orchestra.


Please note: this production contains male nudity and a short sequence of flashing lights.


Running time: approximately 6 hours & 5 minutes, including two intervals.

The first interval is 75 minutes long and will start at approximately 6:25pm. The second interval is 30 minutes long and will start at approximately 9pm.

Lockouts apply. Latecomers may not be admitted until interval.


Performed in German with English surtitles.


Melbourne Ring Cycle Principal Supporters

Maureen Wheeler AO and Tony Wheeler AO


Melbourne Ring Cycle Major Supporters

Hans and Petra Henkell
Anonymous (1)


Opera Australia Government Partners

Australia Council logo & Creative Victoria
         logo


Opera Australia Principal Partner

Mazda logo


Venue Partner

Arts Centre Melbourne logo

Act I 

In his forest cave Mime, hammering at an anvil, complains of his hard existence, forging swords for Siegfried to smash. If only he could reforge Nothung then Siegfried could kill the dragon Fafner and win for Mime the ring and Nibelung treasure, but he knows he is unequal to the task of mending the sword. Siegfried enters presenting a bear, sending the terrified Mime behind the anvil. When Siegfried is given his latest sword, he immediately breaks it and berates its maker who attempts to calm the boy by reminding him how he brought up the lonely orphan. Siegfried forces from Mime the story of Sieglinde and of how she also entrusted Mime with the fragments of a shattered sword. Siegfried immediately commands him to reforge this sword and storms off into the forest. Alone, Mime disconsolately wonders how he is to achieve this when Wotan, in the guise of the Wanderer, enters and asks for hospitality. In return, the Wanderer offers his head in pledge – to be redeemed by answering three questions of Mime’s. His answers to questions on the Nibelungs, giants and gods accurately describe the action of Das Rheingold. It is now Mime’s turn to answer three questions of Wotan’s choosing. These deal with Wotan’s children, the Wälsungs (Siegmund and Sieglinde) and Siegmund’s sword Nothung but Mime falters on the third question: who will reforge the sword? The Wanderer tells him it will be reforged by someone ‘who has never known fear’, and it is he to whom Mime’s head is now forfeit. The Wanderer leaves. Siegfried returns and is exasperated to find the sword not ready. Mime explains it can only be mended by one who ‘knows no fear’ and goes on to describe this strange sensation to Siegfried, promising to lead him to Fafner’s lair so as to learn it. Disgusted with Mime’s incompetence Siegfried proceeds to reforge the sword himself. Mime is convinced Siegfried will succeed in slaying Fafner and conceives the idea of offering him a drugged potion after the combat so that he may kill Siegfried and gain the ring. Delighted with his work, Siegfried triumphantly wields his new sword.

Act II 

Alberich is keeping watch outside Fafner’s cave by night when the Wanderer enters. The Wanderer assures him he is only there to witness events not to influence them. He also tells of a young hero being brought to that spot by Mime, in order to win the treasure. They wake the dragon and Alberich offers to deflect the attack in return for the ring but Fafner refuses. The stage empties as dawn breaks and Mime enters with Siegfried, leaving him in front of the cave. Siegfried becomes aware of the murmurs of the forest and especially of a forest bird singing in a tree overhead. He tries to converse with the bird with a reed pipe and then with his horn, the latter bringing forth the dragon. After a brief combat Siegfried kills him. Withdrawing his sword from the body he burns himself with the dragon’s blood. In putting his fingers to his mouth, he immediately understands the voices of nature, especially that of the woodbird, who tells him of the ring, Tarnhelm and treasure. He enters the cave and the two brothers, Alberich and Mime, immediately quarrel over the expected spoils but slip away when Siegfried reappears. He can now also understand Mime’s real meaning behind his flattering words and comprehends his plot to kill him. Siegfried contemptuously strikes him dead and leaves in search of a bride, described by the woodbird, who lies asleep on a mountain top surrounded by fire.

Act III

At the foot of a mountain Wotan calls up Erda, the Earth goddess, to arise from her sleep. He is consumed by the thought that the twilight of the gods is at hand and is determined to appoint Siegfried his heir: he shall awaken Brünnhilde who shall redeem the world. Erda sinks into the earth as Siegfried enters, following the woodbird. He confronts ‘the Wanderer’. Pressing events to a climax, Wotan bars the way to Brünnhilde with his spear, which Siegfried shatters with his sword. Wotan disappears leaving Siegfried to continue his way. He plunges through the fire which dies down to reveal Brünnhilde asleep. Siegfried approaches and draws back in fear and wonder at this his first sight of a woman. He kisses Brünnhilde to wake her. Opening her eyes, Brünnhilde greets the sun and the hero who has freed her from her sleep. Their mutual happiness is clouded when Brünnhilde grieves for the loss of her godhead but she then gives herself to Siegfried and happily consigns the gods to oblivion in the all-consuming exultation of their love.

Previously:

Das Rheingold

Die Walküre

Next:

Götterdämmerung

Or read the full synposis

"Stefan Vinke astounds in third Wagner instalment."

The Age

"Vocal heroics and visual magic in Armfield’s theatrical Siegfried."

Limelight Magazine 

"[Lise] Lindstrom is again a knockout."

Time Out

TRAVEL PACKAGES

Choose from a wide selection of five, four or three-star hotels, suite-hotels and self-contained apartments in the Melbourne CBD and Southbank area. 8 nights from AUD$1,299 per person, twin-share, including daily breakfast (where available), special welcome reception, pre-performance talks, A Day with the Ring symposium and a priority booking service for sightseeing tours.

For further information visit renaissancetours.com.au or telephone toll-free 1300 727 095 (within Australia) or 0800 403 621 (from New Zealand).

See all available travel package partners.

Pan seared duck breast, potato, baby leek, duck leg tortellini and orange
               scented jus, served on a shiny black plate.Arts Centre Melbourne is offering a range of dining options, timed to coincide with intervals, inspired by the world of The Ring Cycle. Book online at artscentremelbourne.com.au or call 1300 182 183.

Ein Königsmahl (A King's Feast)

Hugh Williamson Room
Four-course desgustion with matched wines
$250* per guest, per meal

See the menu

Speisen unter den Sternen (Dine Amongst the Stars)

The Pavillion
Three-course meal with matched wines
$140* per guest, per meal

See the menu 

Siegfried’s Picknick Korb (Siegfried's Hamper)

Around Arts Centre Melbourne
A hamper of savoury and sweet food
$45* per hamper for one
$80* per hamper for two

See the menu 

More to eat and drink

Arts Centre Melbourne has a range of eateries that will be open during The Ring Cycle. Find out more.

Download The Ring Cycle food and beverage experience brochure (pdf)

*a transaction fee of $7.95 applies 
'Richard Wagner and the Valhalla state of mind' by Roger Scruton

Recommended by Maureen Wheeler and Lyndon Terracini, this article by philosopher Roger Scruton discusses why The Ring Cycle is so important: it's "a story of the gods for people who have no gods to believe in."

prospectmagazine.co.uk

'The Perfect Wagnerite' by George Bernard Shaw

This controversial and entertaining Marxist reading of the Ring by playwright and critic George Bernard Shaw remains compelling reading, even if you don't agree with him.

Download for free for Kindle or iBooks.

'The Ring and the Rings' by Alex Ross

One ring to rule them all: Alex Ross (The Rest is Noise) explores the links between Wagner, Tolkien, and Peter Jackson.

newyorker.com

'Secret Passage: Decoding ten bars in Wagner's Ring' by Alex Ross

Alex Ross takes a look at one of the hundreds of tiny moments that makes up The Ring Cycle, "it is an affair of sidelong glances, compassionate shrugs, paralyzing hesitations, callous joys, comforting sorrows, and, beneath it all, endless yearning."

newyorker.com

Interviews with the cast and creative team behind The Melbourne Ring Cycle

Deborah Humble talks to the people on stage and behind the scenes.  

classicmelbourne.com.au

'With This Ring': An interview with Assistant Director, Roger Press

Shamistha de Soysa speaks to Roger Press about his experience working on The Melbourne Ring Cycle. 

soundslikesydney.com.au

Podcast: The Ring and I

Listen to this excellent special episode of the wonderful Radiolab podcast about how and why The Ring Cycle has permeated our culture.

radiolab.org

Further listening: NPR's Self-Help Guide to Wagner

npr.org

Ring Cycle Events

There are many events happening around Melbourne during The Ring Cycle: concerts, talks, tours, and more.

See what’s on

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