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Thaïs

Massenet

Thaïs

Sydney Town HallJuly 22 – 24, 2017
Date
Time
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C Reserve - Restricted
Sat 22.7.17
7:30 PM
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Mon 24.7.17
7:30 PM
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CONCERT PERFORMANCE

For all the fame and beauty of the music of Thaïs, the best reason to perform this French opera is to show off a star soprano with a voice that could turn a monk's attention from chaste disregard to irrepressible desire.

Nicole Car is that star, and she sings the role of the disillusioned courtesan in concert, opposite Canadian baritone Etienne Dupuis as the man who cannot resist her charms, Athanaël.

Massenet's music explores the ways sacred faith and human passion intersect, in harmonies that blend the exotic and erotic to take you to a different world.

The Opera Australia Orchestra will play the powerful score in a rare opportunity to hear this opera performed live.

 

She's a sinner with a city in her thrall.

He's her would-be saviour, set to lose his soul.


Conductor Guillaume Tourniaire
   
Thaïs Nicole Car
Athanaël Etienne Dupuis
Nicias Simon Kim
Palémon Richard Anderson
Albine Sian Pendry
Crobyle Anna-Louise Cole
Myrtale Anna Yun
Servant Jonathan McCauley

Opera Australia Chorus

Opera Australia Orchestra


Running time: approximately 2 hours & 40 minutes, including one interval.


Sung in French, with English surtitles.

Act I

Scene i

Athanaël, a rigorous ascetic, confesses to the senior monk, Palémon, that he has lately been disturbed by visions of a courtesan and priestess of Venus named Thaïs, whom he had seen many years ago in Alexandria. Believing these visions to be a sign from God, he resolves, against Palémon's advice, to return to Alexandria, convert Thaïs to Christianity, and persuade her to enter a convent.

Scene ii

Athanaël arrives in Alexandria and visits his old friend Nicias. Nicias reveals himself to be Thaïs’s current lover. Upon hearing Athanaël’s plan, he laughs and warns him that the revenge of Venus can be terrible. Nevertheless, he procures clothing for his friend in preparation for a feast that evening at which Thaïs will appear.

The feast begins. Thaïs arrives and sings a love duet with Nicias: this is their last night together. She then asks him about Athanaël, who overhears her and tells her that he has come to teach her ‘contempt for the flesh and love of pain’. Not tempted by this proposition, she offends his sense of propriety with a seductive song. He leaves, angrily promising to come back later.

Act II

Scene i

Méditation

Thaïs expresses dissatisfaction with her empty life and muses on the fact that one day her beauty will fade. Athanaël enters, praying to God to conceal her beauty from him. He tells her that he loves her according to the spirit rather than the flesh, and that his love will last forever instead of a single night. Intrigued, she asks him to teach her the ways of this love. He nearly succumbs to her physical charm, but succeeds in explaining to her that if she converts, she will gain eternal life. She nearly succumbs to his eloquence, but drives him away. However, after a long meditation she changes her mind.

Scene ii

Thaïs has joined Athanaël and resolved to follow him into the desert. He orders her to burn down her house and possessions in order to destroy all traces of her wicked past. She agrees, but asks if she can keep a statuette of Eros, the god of love, explaining to Athanaël that she sinned against love rather than through it. When he hears that Nicias gave it to her, however, Athanaël demands that she destroy it. Nicias appears with a group of revellers, who see Athanaël taking Thaïs away. Furious, they begin to stone him. Although Nicias is astonished at Thaïs’ decision to leave, he respects it and throws handfuls of money to distract the crowd. Thaïs and Athanaël escape.

Act III

Scene i

Thaïs and Athanaël travel through the desert. Thaïs is exhausted, but Athanaël forces her to keep going and thus do penance for her sins. They reach a spring, where Athanaël begins to feel pity rather than disgust for her, and they share a few moments of idyllic, platonic companionship as they rest. Shortly afterwards, they reach the convent where Thaïs is to stay. Placing her in the care of Mother Superior Albine, Athanaël realises he will never see her again.

Scene ii

The Cenobite monks express anxiety over Athanaël's morose behavior since his return from Alexandria. Athanaël enters and confesses to Palémon that he has begun to experience sexual longing for Thaïs. Athanaël falls into a depressed sleep and has an erotic vision of Thaïs. He tries to seize her, but she laughingly evades him. Then, a second vision tells him that Thaïs is dying.

Scene iii

Feeling that existence is worth nothing without her, he repudiates all his vows and rushes off to find her. He reaches the convent and finds her on her deathbed. He tells her that all he taught her was a lie and that he loves her. Blissfully unaware, she describes the heavens opening and the angels welcoming her into their midst. She dies, and Athanaël collapses in despair.

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