Roger acted in, and stage managed, productions for Sydney University Dramatic Society and was an assistant director on five short film productions for the Australian Film, Television & Radio School. As a Resident Director for Opera Australia, Roger has worked on productions of Romeo and Juliet, Julius Caesar, Così fan tutte, The Turn of the … Continued
For the Sydney Theatre Company Robert has designed The Give and Take, Broken Glass, Sweet Phoebe (and for the Croydon Warehouse, London), The Visit, The Rise and Fall of Little Voice, Top Girls, Miss Julie, Racing Demon, The Revenger’s Tragedy, Hot Fudge and Ice Cream (for which he won a Sydney Theatre Critics’ Circle Award), Away … Continued
Background: Has directed theatre, opera, musical theatre and television drama in Australia and internationally for over 30 years. Artistic Director of the Melbourne Theatre Company for twelve years. Formerly Dean of Drama at the VCA and Artistic Director of the Vancouver Playhouse. A highlight of his time in Vancouver was working with Tennessee Williams on … Continued
Robert Cousins is a set, costume and production designer based in Sydney, Australia. He designed the set for Opera Australia’s Melbourne Ring Cycle. Cousins’ other set design credits include Julius Caesar, The Season at Sarsaparilla, Art of War, The Serpent’s Teeth, The War of the Roses, Pygmalion and Under Milk Wood for Sydney Theatre Company; Oedipus Schmoedipus, Miss Julie, Cat on a Hot … Continued
West End credits include Ragtime, The Sound of Music (also Toronto, UK tour, Tokyo, China, South Africa and Australia), Calendar Girls (also Toronto, Australia and UK tour), Heroes (also Geffen Playhouse), The Wizard of Oz (also Toronto, Australia and U.S. tour) and Rock ‘n’ Roll (also Broadway). As an associate artist of the Royal Shakespeare … Continued
Peter England holds a Bachelor of Performing Arts (Design) from NIDA (1994) and a Bachelor of Landscape Architecture (Hons.) from UNSW (1986). He is a multi-award-winning designer, receiving four Helpmann Awards, three Green Room Awards, and a Mike Walsh Fellowship. His work on King Kong – Alive on Boardway earned him an Outer Critics Circle Award, … Continued
Richard is an award-winning designer and educator. His body of work spans theatre, ballet, opera, musical theatre, and film, across Australia and internationally. Richard is currently Head of Design and Production at the Victorian College of the Arts. He has held positions as Head of Design at The Western Australian Academy of Performing Arts, Head … Continued
Background: Studied Lighting Design at Theatre Projects in London and with Jules Fisher in New York. First engagement with Opera Australia: The 1984 Elke Neidhardt production of Fidelio. OA Repertoire: Fidelio (1984), Un Ballo in Maschera, La Boheme (1985), Don Pasquale, The Magic Flute, Falstaff, Die Fledermaus (1986), Voss, Carmen, The Turn Of The Screw, … Continued
Paule is a Royal Designer for Industry, an Associate Director of the National Theatre, and an Associate of the Lyric Hammersmith and Matthew Bourne’s New Adventures. She has won the Olivier Award for Best Lighting Design a record five times, and been nominated for a further nine. She was one of the founders of Freelancers Make Theatre Work; an advocacy group for … Continued
Neil Armfield is a leading Australian director of theatre, opera and film. He was co-founder of Sydney’s Belvoir Theatre and was its Artistic Director for 17 years. During this time he directed over 50 productions, with a particular focus on new and Indigenous writing, the plays of Shakespeare, Jonson, Chekhov, Gogol, Patrick White and David … Continued