The world’s oldest poem. Opera’s most cutting-edge artists.

The ancient and contemporary collide to dazzling effect in this world premiere.

The Epic of Gilgamesh is humanity’s oldest written epic poem. Emerging from ancient Mesopotamian mythology, it tells of a restless young king who, through experiences of love and loss, becomes a better person. His unexpected love for a half-man, half-animal leads him wide-eyed into mysterious realms.

Gilgamesh’s story sings to us across millennia, and this brand-new opera uncovers all that remains strikingly relevant: its approach to mortality, sexuality and our relationship with nature. This is the first opera in English based upon this foundational part of civilisation.

Composed by Sydney Chamber Opera Artistic Director Jack Symonds and brought to Carriageworks’ vast performance space by visionary director Kip Williams (Sydney Theatre Company’s The Picture of Dorian Gray), Gilgamesh is an epic that must be experienced.

Singing scorpions share the stage with a Bull of Heaven and oracles predicting the end of the world.

This marks the first time we’ve collaborated with Sydney Chamber Opera, a company renowned for presenting “an astonishing new vision of what contemporary opera can achieve” (Time Out). Two outstanding chamber music ensembles bring a collective virtuosity to this colourful new score: Australian String Quartet and Ensemble Offspring.

Symonds conducts a cast of Australian contemporary opera specialists. Jeremy Kleeman and Mitchell Riley play Gilgamesh and the beast Enkidu, joined by Jane Sheldon, Jessica O’Donoghue and Daniel Szesiong Todd.