Leo Warner

Leo is director of 59 Productions, specialists in creating and integrating animation, film and video into live performance and real-world environments. Recent video design for opera includes: The Perfect American (ENO/Teatro Real Madrid); Eugene Onegin, The Minotaur and Salome (Royal Opera House); Messiah (Opera De Lyon/ENO); Al Gran Sole Carico D’Amore (Staatsoper Berlin/Salzburg Festival); The … Continued

Lluc Castells

Lluc Castells (Cardedeu, 1975) is closely bonded to theatre since his early childhood thanks to his family who were very involved in drama. In 1995 he finished his drawing studies and he dedicated himself to costume and set design for theatre, musical, circus, cinema, dance and opera performances. He usually collaborates with theatre stage directors … Continued

Kasper Holten

Kasper Holten was Director of Opera at the Royal Opera House Covent Garden from 2011 to 2017. In his previous eleven years as Artistic Director of the Royal Danish Opera he made audiences laugh, cry and, above all, engage in a series of provocative productions ranging from Ligeti’s Le Grand Macabre to Lerner & Loewe’s … Continued

Kate Champion

Kate’s first professional engagement was with the Munich-based modern dance company Iwanson Dance Company at the age of 16. She stayed in Munich for three years before returning to Australia in 1981 to join the One Extra Company under the artistic direction of Kai Tai Chan. In 1985, with a grant from the Australia Council, … Continued

Julie Taymor

In 1998, Julie Taymor became the first woman to win the Tony® Award for Best Direction of a Musical, and also won a Tony® for Best Costumes, for her landmark production of The Lion King. The musical has won three Molière Awards including Best Musical and Best Costumes, garnered Drama Desk, Outer Critics Circle and … Continued

J D McClatchy

J. D. McClatchy is the author of six collections of poems: Scenes From Another Life (Braziller, 1981), Stars Principal (Macmillan, 1986), The Rest of the Way (Knopf, 1990), Ten Commandments (Knopf, 1998), Hazmat (Knopf, 2002, a finalist for both the Pulitzer Prize and the Los Angeles Times Book Award), and Mercury Dressing (Knopf , 2009, … Continued

Jonathan Biggins

Jonathan Biggins is an actor, writer and director with a wide and varied stage career, perhaps best known for The Wharf Revue and most recently his one-man show The Gospel According to Paul. Jonathan’s notable acting credits include Travesties, The White Guard and Ying Tong for STC, The Importance of Being Earnest for MTC, and … Continued

Julie Lynch

Julie has worked extensively as a costume and set designer in Australian theatre and was Head of Costume at the National Institute of Dramatic Art (NIDA) between 2000 and 2005. Julie has won three Sydney Theatre Awards and two Helpmann Awards for Best Costume Design. These awards were for: Travesties (Sydney Theatre Award 2009) for … Continued

John Rayment

John’s opera work includes, for Opera Australia, Das Rheingold, Die Walküre, Norma, The Mikado, Aida, The Little Mermaid, The Trojans Parts 1 & 2, Orpheus in the Underworld, Lulu, La Bohème, Salome, Two Weddings One Bride, Parsifal, Metamorphosis, Anna Bolena, Whitely, Ghost Sonata as well as Handa Opera on Sydney Harbour’s La Traviata (2012), Carmen (2013, … Continued

John Stoddart

Background: Born, Australia.  Studied Architecture at Sydney University OA repertoire: The Magic Flute, Ariadne auf Naxos, Patience, The Beggar’s Opera, Die Fledermaus, Les Huguenots, Capriccio, Don Carlos, A Streetcar Named Desire, Of Mice and Men, Die tote Stadt Other Companies: Opera – La clemenza di Tito (Royal Opera, Covent Garden); Patience, The Magic Flute, Don … Continued