Jonathan Biggins is an actor, writer and director with a wide and varied stage career, perhaps best known for The Wharf Revue and most recently his one-man show The Gospel According to Paul. Jonathan’s notable acting credits include Travesties, The White Guard and Ying Tong for STC, The Importance of Being Earnest for MTC, and … Continued
Julie has worked extensively as a costume and set designer in Australian theatre and was Head of Costume at the National Institute of Dramatic Art (NIDA) between 2000 and 2005. Julie has won three Sydney Theatre Awards and two Helpmann Awards for Best Costume Design. These awards were for: Travesties (Sydney Theatre Award 2009) for … Continued
John’s opera work includes, for Opera Australia, Das Rheingold, Die Walküre, Norma, The Mikado, Aida, The Little Mermaid, The Trojans Parts 1 & 2, Orpheus in the Underworld, Lulu, La Bohème, Salome, Two Weddings One Bride, Parsifal, Metamorphosis, Anna Bolena, Whitely, Ghost Sonata as well as Handa Opera on Sydney Harbour’s La Traviata (2012), Carmen (2013, … Continued
Background: Born, Australia. Studied Architecture at Sydney University OA repertoire: The Magic Flute, Ariadne auf Naxos, Patience, The Beggar’s Opera, Die Fledermaus, Les Huguenots, Capriccio, Don Carlos, A Streetcar Named Desire, Of Mice and Men, Die tote Stadt Other Companies: Opera – La clemenza di Tito (Royal Opera, Covent Garden); Patience, The Magic Flute, Don … Continued
John Bell is Artistic Director of Bell Shakespeare and one of Australia’s most acclaimed theatre personalities. In a career of acting and directing, John has been instrumental in shaping the Australian theatre industry as we know it. After graduating from Sydney University in 1962 John worked for the Old Tote Theatre Company, all of Australia’s … Continued
Background:Born, Australia. Awards include Best Choreographer Moulin Rouge American Choreography Awards, 2001; Australian Dance Award for Contribution to the Art of Dance, 1993; Golden Platypus Award for most popular event in Brisbane, 1999 OA repertoire: A Midsummer Night’s Dream (Edinburgh Festival Critics Award) … Continued
Background: NIDA Graduate. Churchill Scholar. Artistic Director (1982) of Adelaide Festival of Arts. Artistic Director of Lighthouse (STC-SA) 1982-3. AFI nominated documentary The Burning Piano: A Portrait of Patrick White. 2005 Helpmann Award for Best Director: Three Furies by Stephen Sewell. Books: Blood and Tinsel – A Memoir (Melbourne University Press, … Continued
Background: Born, Australia. Trained at McDonald College Ballet School. NIDA Graduate – Movement Studies. University of NSW – Performing Arts, UWS – Dance. OA repertoire: Dancer – Julius Caesar, Rinaldo, The Pearlfishers, Die Meistersinger, Lulu, Lucia di Lammermoor, Iolanthe, Faust, Tales of Hoffmann; Actor – Falstaff, Don Giovanni, Il trittico. Revival Director – Sid the … Continued
Born in Berlin, the German Director studied in Leipzig. He was Oberspielleiter in Stralsund and Chemnitz and directed in Weimar as well as in Dresden. From 1981 on he was director of Komische Oper Berlin and Professor at Musikhochschule Hanns Eisler Berlin. For his last production as chief director at Komische Oper Berlin, The Turn … Continued
Background: Based in Auckland. Began design career at Theatre Corporate in 1977. Received Arts Council Grant in 1981, enabling study in Europe and the United States. Head of Design at Mercury Theatre, 1982. Freelance designer in Toronto and later New York, 1985; since then has been freelancing for film, television and commercial design OA repertoire: … Continued