Puccini
Tosca at Margaret Court Arena
Margaret Court ArenaNow playing–30 May 2024
Puccini
Tosca at Margaret Court Arena
Margaret Court ArenaNow playing–30 May 2024
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If you’re a recent Season Subscriber, you may be eligible to an exclusive 15% discount, access your tickets here.
Performance Dates & Time
May 24, 25, 28, 29, 30 at 7:30pm
May 26 at 1:00pm
Venue
Margaret Court Arena
Olympic Blvd, Melbourne
Running time
Approximately 2 hours and 40 minutes, including two intervals.
Language
Performed in Italian with English surtitles.
Please note
This production contains depictions of violence, including violence against women, sexual violence, murder and suicide.
Supporting Partner
Tosca is an Opera North production.
Book 4+ tickets and Save!*
Get 15% off when you book four or more tickets, that’s a saving of up to $160 when you book four A-reserve tickets to a performance*.
Simply select the ‘Admit 4’ price when choosing your seats and your group discount will be automatically applied.
Love. Jealousy. Betrayal.
“Ah! Tosca.” Scarpia growls it, lust in his voice, danger in his eyes. Tosca thinks of her lover, his captive. How far will she go to save him?
Opera’s greatest thriller is a taut tale of passion and betrayal, taking place over just 24 hours in Rome. Renowned prima donna Tosca is in love with Cavaradossi, a painter and revolutionary. When the sadistic Chief of Police Scarpia tries to crush them, our heroine finds the strength to do the unspeakable.
Puccini’s music is sensational: from the overpowering choral power of the famous Te Deum, Tosca’s ode to art ‘Vissi d’arte’ and the haunting tenor showpiece ‘E lucevan le stelle’ as Cavaradossi faces death.
When the final note rings into silence, and you pick your jaw up off the floor, you’ll feel an extraordinary emotional release.
In this acclaimed, five-star production from Opera North, director Edward Dick writes the tension large upon the stage. A stunning renaissance fresco colours a gilded dome hanging over the performers. Dramatic, stadium-style lights by Lee Curran put a razor focus on the unfolding action, revealing beauty and menace in turn.
Tosca is the perfect first taste of opera, and one opera lovers return to again and again, to experience how music can bring great stories to emotional highs. Tosca has it all: romance, action and an unforgettable ending.
Performed in the Margaret Court Arena with all the drama and scale of an epic theatrical experience, this will be very special night at the opera.
The action turns on a trio of brilliant performers, so we’ve found singers you don’t want to miss: Opera Australia audience favourite Karah Son shares the heroic title role with British star Nadine Benjamin. Diego Torre returns to our stage as Cavaradossi, along with Young Woo Kim, making his Australian debut in the role. And we have two formidable Scarpias: Helpmann Award-winning baritone Warwick Fyfe and English singer Robert Hayward.
“An unforgettable operatic experience ★★★★★”
The Stage
“A corker of a show… staged imaginatively and cogently ★★★★★”
The Times
“Drama to hit you in the gut ★★★★★”
The Independent
The transformation
First look
Who is Tosca?
The music
Tosca at Margaret Court Arena (2024)
Photographer: Jeff Busby
Tosca at Margaret Court Arena (2024)
Photographer: Jeff Busby
Tosca at Margaret Court Arena (2024)
Photographer: Jeff Busby
Tosca at Margaret Court Arena (2024)
Photographer: Jeff Busby
Tosca at Margaret Court Arena (2024)
Photographer: Jeff Busby
Frequently Asked Questions
Tosca will be performed at Margaret Court Arena, located in the Melbourne & Olympic Parks precinct. The arena will be set up in an intimate configuration for performances of Tosca, with the retractable roof closed, fully enclosing the audience and performers.
Margaret Court Arena is next to Rod Laver Arena, off Olympic Boulevard.
Public transport
Public transport is the quickest and easiest way to get to and from Margaret Court Arena.
The Melbourne & Olympic Parks precinct is a 10 to 15-minute walk from the CBD via Birrarung Marr or the Tanderrum Bridge.
Trains, trams and buses operate frequently, dropping you right at the door of the precinct.
Read more about public transport options.
Car
Guests attending the precinct can access the Eastern Plaza Carpark via Entrance D (Olympic Boulevard).
We strongly recommend pre-booking your parking. Bookings close at midnight the night before the event. Drive-up spaces are limited and subject to availability.
Rates:
- Event Day Parking (Pre-Booked): $20
- Event Day Parking (Drive Up): $30
Taxi & Rideshare
A taxi rank is available next to The Oval on Olympic Boulevard. This is close to all venues and a safe and efficient way to hail a taxi.
The pick-up and drop off point for rideshare services, such as Uber, is out the front of John Cain Arena on Olympic Boulevard. We encourage guests not to order their rideshare service until they have reached the pick-up point to avoid causing congestion along Olympic Boulevard.
Water Taxi
Melbourne Water Taxis operate on the Yarra River seven days per week. Water taxis deliver guests to a docking platform opposite Rod Laver Arena. They can accommodate parties of up to 12 people and need to be pre-booked.
For more information, or to make a booking, click here.
Accessible seating
Accessible seating must be pre-booked via Ticketek’s Accessible Bookings Hotline:
- Reach them by phone on (03) 9286 1208 or;
- Submit a request to be contacted online here.
Accessible parking
Accessible parking must be pre-booked via Ticketek’s Accessible Bookings Hotline:
- Reach them by phone on (03) 9286 1208
We recommend parking is booked in advance to avoid disappointment. Please note, there are a limited number of accessible parking bays located at John Cain Arena (on Olympic Boulevard).
Drop off areas
Reduced mobility guests can be dropped off in the Northern Carpark via Entrance A (Batman Avenue) or Easter Plaza Carpark via Entrance D (Olympic Boulevard).
All visitors have 20 minutes to drop off or pick up guests. Please note, exceeding this time may result in parking charges.
Ramps & Access
Guests with reduced mobility can access Melbourne & Olympic Park venues via Olympic Boulevard or the Rod Laver Arena and John Cain Arena tram stops.
There are ramps throughout the precinct, as well as lifts in all venues, and all turnstiles have an accessible entry option for those who need it.
Make your time at the opera an unforgettable one with a pre-performance dinner in a pop-up restaurant at Margaret Court Arena, located via Gate 3.
Indulge in a Tosca-inspired set menu including three courses prepared by a world-class culinary team, complemented by a premium drinks list. See the menu.
Bookings are required.
There is no dress code for Tosca at Margaret Court Arena. You may choose to dress up – attending an opera is a great excuse to break out your most stylish outfit – or down as much as you like. Wear whatever you’ll feel comfortable in.
While the arena is entirely enclosed, it may be cold getting to and from the venue, so please bring something warm.
Cheat Sheet: Tosca
Everything you need to know about Puccini’s blood-soaked, lustful melodrama.
What happens in the story? Who was the composer? What should I expect from the music? Here’s everything you need to know…
7 reasons to see Tosca at Margaret Court Arena
Thinking about seeing opera’s greatest thriller, Tosca, at Margaret Court Arena? Here’s what to expect at Melbourne’s very special operatic event.
Tosca's real-life locations
Learn more about the three locations in Rome where this gripping tale of love and murder is set.
Climbing the Puccini peak
Conductor Garry Walker on bringing Tosca to Melbourne audiences at Margaret Court Arena.
7 surprising facts about Puccini
Discover the fascinating off-stage stories of the composer who gave the world La Bohème, Madama Butterfly, Turandot and Tosca.
TOSCA
CAVARADOSSI
SCARPIA
SPOLETTA
SCIARRONE
ANGELOTTI
SACRISTAN
GAOLER
SHEPHERD BOY
Orchestra
Opera Australia Chorus
Tosca at Margaret Court Arena
The Experience - Concept renders
Tosca at Margaret Court Arena
The Experience - Concept renders
Tosca at Margaret Court Arena
The Experience - Concept renders
Tosca at Margaret Court Arena
The Experience - Concept renders
Tosca at Margaret Court Arena
The Experience - Concept renders
Tosca at Margaret Court Arena
The Experience - Concept renders
The Story
In a beautiful church, the painter Cavaradossi is working. When an escaped prisoner bursts in, Cavaradossi risks his own life to help Angelotti hide from the Fascist police. But Cavaradossi’s lover, Tosca, overhears him talking and becomes jealous. In spite of Cavaradossi’s ardent assurances of love, it is easy for the chief of police, Scarpia to fan the flames of her jealousy. He wants Tosca for himself.
Scarpia arrests Cavaradossi on suspicion of aiding Angelotti, and as he is tortured, Tosca is made to listen to his cries. She has a fateful choice before her: give into the hateful Scarpia’s lascivious demands and save her lover’s life, or save her honour and kill Cavaradossi. In that terrible moment, Tosca makes a choice, and the consequences play out in a heart-rending Act III.
She lived for love. On this desperate day, can she find the strength to kill for it?
ACT I
Angelotti, who has just escaped from prison, finds a key left for him in a church by his sister, the Marchesa Attavanti, and hides in the Attavanti chapel. The sacristan enters, grumbling about having to clean the painter Cavaradossi’s brushes. Cavaradossi returns to his work and, when Angelotti emerges from hiding, promises to help him but tells him to hide again when they hear Tosca approaching. AIthough she begins to suspect that he is having an affair with the Marchesa, Cavaradossi reassures her of his love before she leaves.
Angelotti tells Cavaradossi that his sister has left him some female clothing and that he intends to escape in disguise. Cavaradossi mentions a hiding-place down the well in his garden in case of emergency. They hear a shot, indicating that the escape has been discovered, and Cavaradossi rushes Angelotti to his safe house.
The sacristan announces a grand Te Deum to celebrate a report of a victory for the current regime. Excitement at this news is cut short by the arrival of Scarpia, on Angelotti’s track. A search of the church reveals a fan with the crest of the Attavanti and, when Tosca returns, looking for Cavaradossi, Scarpia uses it to inflame her jealousy, as a way of winning Tosca for himself.
ACT II
Scarpia waits for Tosca, who is singing at an official reception to celebrate the victory. Spoletta informs him that Angelotti has still not been found but that Cavaradossi has been arrested. Under interrogation he denies any knowledge of Angelotti. Tosca arrives as Cavaradossi is led off to torture. At first she refuses to tell Scarpia anything, but finally she can bear Cavaradossi’s suffering no longer and reveals Angelotti’s hiding-place. When Cavaradossi is brought in and hears Scarpia ordering the arrest of Angelotti it is obvious that Tosca has betrayed him. At this moment the news of a serious defeat for the current regime arrives. Cavaradossi is triumphant and Scarpia orders his execution.
Tosca begs for the life of her lover and Scarpia names his price: she must have sex with him in exchange for Cavaradossi’s freedom. Seeing no alternative, she agrees, and Scarpia orders Spoletta to perform a mock execution of Cavaradossi, after which he and Tosca will be able to escape. As he claims his reward, however, Tosca kills him.
ACT III
Cavaradossi awaits execution. He remembers the happiness Tosca had brought him. Tosca then tells him what has happened and prepares him for the mock execution. She realises too late that she has been deceived by Scarpia: the execution was real. Tosca pays for Scarpia’s murder with her own life.
*Group 4+ discount available on all performances excluding Saturday performances. Saving of $160 is for four A Reserve tickets available on Tuesday, Wednesday, Thursday, Friday, and Sunday performance only.