Rossini
The Barber of Seville
Regent Theatre, Melbourne31 October–5 November 2025
Rossini
The Barber of Seville
Regent Theatre, Melbourne31 October–5 November 2025
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Location: Melbourne
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See All Events2025
October
31 Oct 2025
November
01 Nov 2025
03 Nov 2025
04 Nov 2025
05 Nov 2025
Venue
Regent Theatre
191 Collins St, Melbourne
Language
Performed in Italian with English surtitles.
Running time
Approximately 2 hours and 45 minutes, including one interval.
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Beyond haircuts and beard trims, this canny barber is the city’s matchmaking maestro!
Almaviva is wealthy, stealthy and head over heels. Rosina is witty, pretty and just as smitten. She’s also inconveniently betrothed. They need a plan. Time to call on: Fi-ga-ro! Figaro! Figaro!
Enter the friendly neighbourhood barber with wits and tricks as sharp as his razors. He sets to work to unite the young lovers in an evening of disguises and duplicity.
This rollicking, laugh-out-loud comedy took a young Rossini just 13 days to write. Playful energy sparkles through as many famous tunes as you can pack into two-and-a-half hours.
A cast of great voices and high spirits play among a marvellous set of cartoonish proportions — a world inspired by 1920s silent films, featuring a life-size doll’s house as its centrepiece.
Australian Figaros Samuel Dale Johnson and Samuel Dundas lead some of our best comic talents in this side-splitting romp through Seville.
The Barber of Seville at Sydney Opera House (2016)
Photographer: Keith Saunders
The Barber of Seville at Sydney Opera House (2016)
Photographer: Keith Saunders
The Barber of Seville at Sydney Opera House (2016)
Photographer: Keith Saunders
The Barber of Seville at Sydney Opera House (2016)
Photographer: Keith Saunders
The Barber of Seville at Sydney Opera House (2016)
Photographer: Keith Saunders
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Cast & Creative
Conductor
Director
Set Designer
Costume Designer
Lighting Designer
Figaro
Rosina
Count Almaviva
Dr Bartolo
Don Basilio
Berta
Orchestra
Opera Australia Chorus
Cheat Sheet: The Barber of Seville
Everything you need to know about Rossini's most famous comedy.
What happens in the story? Who was the composer? What should I expect from the music? Here’s everything you need to know…
Synopsis
ACT I
Scene I
Dr Bartolo, together with his ward, Rosina, were until recently resident in Madrid. While there, Rosina had attracted the attention of the adventurous young Count Almaviva, who, on their departure for Seville, has followed incognito, determined to woo and win her. Disguised as a student called Lindoro, he serenades her at night below her balcony, but is making very little progress when he meets Figaro, a former servant of his who had left his employ to set up independently as a barber. Apart from his shop, Figaro also has a contract of service in Bartolo's household, and the two men strike a deal whereby Figaro will get Almaviva into the house.
Scene ii
Rosina is very excited by the attentions being paid her by the handsome young stranger and dares write to him. She is so closely guarded by Bartolo, however, that the task of getting the letter delivered threatens to be difficult. Figaro would seem to be the answer. Bartolo is shrewdly aware that something is going on, but he can't quite pin it down. Basilio, who is Rosina's music teacher but also an intriguer in Bartolo's service, warns him that Almaviva is in town and that he has designs on Rosina. Since Bartolo wishes to marry her himself, he determines to make the necessary arrangements at once.
ACT II
Scene I
A complete stranger called Don Alonso arrives that evening to give Rosina her music lesson instead of Basilio, who is sick. Bartolo accepts him only when he reveals that he has a plan to trap Rosina and discredit Almaviva. When the lesson is under way, Figaro arrives and insists on giving Bartolo his Tuesday shave. Suddenly, Basilio walks in, quite healthy, but such is Bartolo's confidence in Alonso that he collaborates in getting rid of Basilio. Unfortunately, Alonso, who is Almaviva in another disguise, overreaches himself and is caught out by Bartolo, but not before arranging to carry Rosina off at midnight.
There is a storm. Basilio goes for the Notary to marry Rosina and Bartolo at once; Bartolo goes for the police; Almaviva and Figaro bring a ladder.
Scene ii
Rosina remonstrates with Almaviva, but the confusion is quickly cleared up and the elopement all but takes place. Then Basilio arrives with the Notary, and Bartolo removes the ladder to the balcony. In the intervening few minutes the Notary marries Almaviva and Rosina and Basilio witnesses the contract. The young lovers are happy, Bartolo is defeated, while Figaro and Basilio make a lot of money.
Regent Theatre FAQ
The Regent Theatre is located at 191 Collins Street in the Melbourne CBD and are accessible by all modes of transport.
Train
Flinders Street station is approximately 350m from the Regent Theatre. All Metro lines leave from this station. Please visit the PTV website for more information and timetables.
Tram
The closest tram stops are Swanston Street – Stop 11 which is on Routes 1, 3, 5, 6, 16, 64, 67 & 72, and Collins Street – Stop 6 which is on routes 11, 12, 48 & 109. Both stops are level access stops.
Taxi
The nearest taxi rank is available at the Westin hotel, next door to the theatre.
Drop Off / Pick Up
The best spot for drop off and pick up is along Collins Street. There is metered and timed parking available. Please note directly out the front of the Regent Theatre is a No Parking zone, that can be utilised for drop off and pick-up.
Parking
There is limited parking in the city, however patrons of the Regent Theatre and Plaza Ballroom can avail of preferred parking rates at some nearby Wilson Parking car parks. This offer must be booked on their website before arrival. Find out more about the nearest carparks and how to book
Patrons with mobility impairments are strongly advised to book Stalls seating. There is no lift access to the Dress Circle. Step-free access to the Stalls can be arranged, please see a Front of House staff member at the front of the venue for assistance.
Frames and crutches are stored at the rear of the Stalls and returned at interval and conclusion of performances. Patrons are advised of the storage area, and all items are marked with the patron’s row and seat number.
There are dedicated wheelchair positions in the stalls for people wishing to book a ticket to remain in their wheelchair for the performance, with a standard seat adjacent for their companion. To book, please call (03) 9685 3777.