Joan Sutherland Theatre, Sydney Opera House

COVID-19 (Coronavirus) update

We’ve cancelled all performances of Aida at Sydney Opera House due to COVID-19 restrictions. If you have tickets to a cancelled performance, you'll receive an email with details about how to refund or exchange your tickets.

Updated Monday 11 May.

Verdi’s monumental music makes this historic epic an enduring favourite. Davide Livermore’s radiant production is a thrilling theatrical experience.

Ten towering digital screens create ever-changing floor-to-ceiling set pieces. Immersive digital video design ranges from rich symbolism to vivid landscapes.

Opulent costumes and props reflect the splendour of Egypt at the height of its power. Together with dramatic video, the massed grandeur of the famous Triumphal March is a visual and musical feast.

Giampaolo Bisanti and Tahu Matheson conduct two magnificent casts. Sensational sopranos Leah Crocetto and Elena Guseva perform as the enslaved princess, Aida. Elena Gabouri reprises her critically acclaimed turn as Aida’s rival, Amneris, before Agnieszka Rehlis joins the cast.

Yonghoon Lee is a powerful Radamès, the man they both love, before Andeka Gorrotxategi joins the cast, following his stunning Calàf in Turandot.


This is a story of love so strong it defies enemy lines.
This is a story of a kingdom in triumph and a nation in chains.
This is a story of betrayal.

Enjoy dinner before the opera at Sydney Opera House

Dinner at Overture Dining in the Northern Foyer of the Joan Sutherland
         Theatre at Sydney Opera HouseAllow us to make your dinner reservation for you: 6pm at Overture Dining in the Northern Foyer of the Joan Sutherland Theatre. You'll be served a themed three-course menu for just $72, including a glass of Viticoltori Ponte Prosecco on arrival. View the menu.

Simply add dinner to your cart after selecting tickets. If you already have tickets, simply sign in to your account and go to 'upcoming performances' to add a dinner reservation.

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Giampaolo Bisanti (until 21 Jul)


Tahu Matheson (from 24 Jul)

Director & Choreographer

Davide Livermore

Revival Director

Shane Placentino

Set Designer

Giò Forma

Costume Designer

Gianluca Falaschi

Lighting Designer

John Rayment

Video Designer


Rehearsal Choreographer Shane Placentino


Leah Crocetto (until 21 Jul)


Elena Guseva (from 24 Jul)


Elena Gabouri (until 21 Jul)


Agnieszka Rehlis (from 24 Jul)


Yonghoon Lee (until 21 Jul)


Andeka Gorrotxategi (from 24 Jul)


Warwick Fyfe


Roberto Scandiuzzi (25, 27 Jun; 1, 4, 6, 9, 11 Jul; 3 Aug)


Taras Berezhansky (15, 18, 21, 24, 28, 31 Jul; 5, 8, 10 Aug)

The King

Gennadi Dubinsky

High Priestess

Jane Ede


Dean Bassett

Opera Australia Chorus

Opera Australia Orchestra

Please note: this production contains nudity.

Running time: approximately 2 hours & 50 minutes, including one interval.

Production Partner

APT logo

The StoryHide

A rebellion is brewing on Egypt’s borders, and for both the oppressor and the oppressed, loves and loyalties are about to be tested.

Egypt needs a hero to lead their army, and the High Priest has chosen Radamès. Egypt’s fortunes will turn on his sword, but Radamès has a higher purpose. Through victory in battle, he hopes to win the hand of the beautiful slave girl Aida — handmaiden to the princess Amneris, and secretly, an Ethiopian princess.

Aida is torn between her love for the Egyptian hero and her despair for the country he must march against — her homeland.

And the Princess Amneris, who also desires Radamès, is beginning to have suspicions that her hero might prefer her slave…

As Radamès returns to Egypt in triumph, Aida is greeted with a terrible sight — her father Amonasro, the King of Ethiopia, is among the slaves.

Just when all seems lost, the King of Egypt deals another blow: promising the triumphant Radamès his daughter Amneris’ hand.

On the banks of the Nile, the lovers arrange to meet one last time.

But the conquered Ethiopian King has a plan to save his country. Aida has to make a devastating choice.

In the darkness, the King’s plan, Aida’s conflicted heart and Radamès’ steadfast love collide in a devastating finale.

Not afraid of spoilers? Read the full synopsis.
Egypt in the time of the Pharaohs

Act I

Scene i: A Hall in the Royal Palace at Memphis

The advancing Ethiopian army is threatening the Nile Valley and the city of Thebes. Ramfis, the High Priest of Isis, tells Radamès that the goddess has chosen the general who will lead the Egyptian army into battle. Radamès hopes that he has been chosen and that he may return victorious and win the hand of Aida, an Ethiopian slave who is handmaiden to Princess Amneris. Amneris secretly loves Radamès herself and suspects from his reaction to Aida’s presence that he prefers the slave to her. The King enters with the priests and his court and announces that Isis has chosen Radamès as the Egyptian commander-in-chief. Amneris presents a standard to Radamès and urges him to return as conqueror. Radamès leaves for the temple where he will be consecrated for battle. Aida is horrified that she has joined in a chorus swearing to destroy her own people. She is the daughter of the Ethiopian king Amonasro, a fact unknown to the Egyptians, and is torn between her love for her country and for Radamès.

Scene ii: Temple of Vulcan

Sacred rites are performed by the priests and priestesses in the temple of Phtah. Radamès is presented with a consecrated sword and blessed for war and victory.

Act II

Scene i: The Apartments of Amneris

Amneris and the court ladies prepare for the triumphal return of Radamès until she dismisses them at Aida’s approach. Amneris tricks Aida by telling her that Radamès has been killed in battle. Aida’s misery and subsequent joy when Amneris admits that it is not true confirm Amneris’ suspicions and she now declares herself the rival of a mere slave. Aida is about to retort that she too is a princess when she remembers her danger and pleads in vain for a chance for love with Radamès.

Scene ii: Before the City Gates at Thebes

Soldiers, bearing spoils of war, form a procession celebrating the triumph of Radamès. Amneris crowns him victor and the King offers him any reward he may name. Radamès asks that the prisoners of war be brought in. Aida recognises her father among them. He warns her not to betray his rank. He relates to the Pharaoh how Amonasro died on the battlefield and pleads for mercy for the captured Ethiopians. Radamès begs for the freedom of the Ethiopians and the King agrees to this provided Aida and Amonasro remain as hostages. The King then announces that as reward for his bravery he will offer Radamès Amneris’ hand in marriage. Amneris exults at her triumph and Aida expresses her misery.


The banks of the Nile

Ramfis welcomes Amneris, on the night before her marriage, at the temple of Isis to pray. Radamès has chosen a place nearby for a last meeting with Aida, who sings sadly of her homeland. She is surprised in revery by her father who demands that she help him discover the route which Radamès plans for the next Egyptian invasion. Aida is reluctant but finally yields to his plan. 

When Radamès arrives she suggests that they flee together and live happily far away from Egypt. She asks which path they should take to avoid the Egyptian troops. He tells her, whereupon Amonasro steps forward triumphantly and declares himself as the Ethiopian king. Appalled that he has unwittingly betrayed his country, Radamès refuses to flee with them. Amneris and Ramfis emerge from the temple. Aida and Amonasro escape, and Radamès surrenders his sword to the High Priest.

Act IV

Scene i: In the Temple of Vulcan

Amneris summons Radamès to her presence and pleads with him to declare his innocence. She offers love and the throne on condition that he vows never to see Aida again. Radamès refuses and is led away to his trial. Three times the voice of Ramfis is heard accusing Radamès of treason and each time Radamès is silent. He is sentenced to be buried alive under the altar. Amneris vents her rage against Ramfis and the priests, calling down the curse of heaven upon them.

Scene ii

Radamès has been left to die, and the altar is being put in place above his tomb. He sees a form and thinks it is a vision, but it is Aida who has come to die with him. Together they bid farewell to earth while, above them, Amneris prays that the gods may grant eternal peace to Radamès.

Dinner at Overture Dining in the Northern Foyer of the Joan Sutherland Theatre

Allow us to make your dinner reservation for you: 90 minutes before your performance begins at Overture Dining in the Northern Foyer of the Joan Sutherland Theatre.

You'll be served a themed three-course menu for just $72, including a glass of Viticoltori Ponte Prosecco on arrival. Simply add dinner to your cart after selecting your tickets.

Sample menu

On arrival

A glass of NV Viticoltori Ponte Prosecco

Warm bread roll, pepe saya butter (gluten free available)


Salmon ceviche with raw daikon, pickled kohlrabi, shiso and rice crackers GF, DF


Calabrese salad, heirloom tomato, almond ricotta, confit shallot vinaigrette, olives and basil DF, GF, VG

Main Course

Roasted chicken supreme, butternut pumpkin, roasted pepita crumble and burnt butter GF


Spiced cauliflower, crushed roasted eggplant and tomato, cumin and green grape, chilli chutney V, GF


Young leaves and watercress with lemon vinaigrette GF, DF, V


Dulce de leche centred chocolate fondant with spiced whipped cream V



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This production of Aida contains nudity.

There's more information, but it contains spoilers.

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