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Rigoletto

Verdi

Rigoletto

Arts Centre Melbourne, State TheatreMay 11 – 29, 2019

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Date
Time
Premium
A Reserve
B Reserve
C Reserve
D Reserve
Sat 11.5.19
7:30 PM
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Wed 15.5.19
7:30 PM
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Sat 18.5.19
12:30 PM
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This is an audio described performance for those with vision impairments. Audio-described bookings can only be made through Opera Australia by calling the Box Office in Sydney on 02 9318 8200, Melbourne on 03 9685 3700 or by emailing ticketing@opera.org.au

Hear the story behind the opera. Join us at the Arts Centre 45 minutes before this performance, when a member of Opera Australia's artistic team will share their insights into the opera.  Held in the Stalls Foyer near Door 2 of the State Theatre, this informal, informative talk will help you to get the most out of your opera experience.

Wed 22.5.19
7:30 PM
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Sat 25.5.19
7:30 PM
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Mon 27.5.19
7:30 PM
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Wed 29.5.19
7:30 PM
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Hear the story behind the opera. Join us at the Arts Centre 45 minutes before this performance, when a member of Opera Australia's artistic team will share their insights into the opera.  Held in the Stalls Foyer near Door 2 of the State Theatre, this informal, informative talk will help you to get the most out of your opera experience.

He’s hideous. He’s hated. He’s untouchable. But in this shimmering world of secrets and seduction, can he keep the one he loves most safe?

From the moment he wrote it, Verdi knew he had a hit on his hands. The story had everything: royalty, loyalty, deformity, devotion, lust and revenge.

And the music? The music was sensational, so full of hummable tunes that Verdi demanded complete secrecy from his premiere cast. The tenor was forbidden from even whistling the catchy ‘La donna è mobile’ outside of rehearsals.

The morning after Rigoletto’s triumphant premiere, that melody rang out in the streets: a hit for ever after. The title character Verdi called the “greatest creation” in the history of theatre had found a home in a masterpiece of music.

Elijah Moshinsky’s much-loved production of Rigoletto returns to the Arts Centre Melbourne stage, complete with its glamorous La Dolce Vita-inspired sets and costumes, and scene-stealing car. The revolving dollhouse style set gives a cinematic detail to each scene.

Andrea Licata returns to conduct an exciting cast of international and homegrown stars. Melbourne soprano Stacey Alleaume makes her debut as Gilda with Mongolian baritone Amartuvshin Enkhbat, who won the Audience Prize at the 2015 BBC Cardiff Singer of the World competition, as Rigoletto, and remarkable young Armenian tenor Liparit Avetisyan sings the Duke of Mantua.


Dine before the opera at Arts Centre Melbourne

A couple dines at Arts Centre Melbourne before the operaLet us make it easy for you with pre-performance dining at Café Vic at Arts Centre Melbourne. You'll be served a themed set menu, including matched wine. View the menu.

Simply add the dining option to your cart after selecting tickets. If you already have tickets, sign in to your account to add dinner to your existing booking or call 03 9685 3700.


Subscribe to the opera in 2019 and come with us on an inspiring journey...

You can chart a course through love and passion and despair (this is opera, after all), or walk on the wild side with the devil himself. You can laugh and revel in extraordinary talent or gasp your way through horror stories. Our 2019 Melbourne season leaves no corner unexplored. Choose three or more productions to unlock a subscriber discount, along with exclusive benefits throughout the year.


Conductor Andrea Licata
Director Elijah Moshinsky
Revival Director Hugh Halliday
Set & Costume Designer Michael Yeargan
Lighting Designer Robert Bryan
   
Rigoletto Amartuvshin Enkhbat
Duke of Mantua Liparit Avetisyan
Gilda Stacey Alleaume
Monterone Gennadi Dubinsky
Sparafucile Roberto Scandiuzzi
Maddalena Sian Pendry
Marullo Luke Gabbedy
Borsa Virgilio Marino
Ceprano Christopher Hillier
Giovanna Dominica Matthews
Countess Ceprano Leah Thomas
Page Jennifer Bonner
Usher Ryan Sharp

Opera Australia Chorus

Orchestra Victoria


Please note that this performance contains strobe lighting effects.


Running time: approximately 2 hours & 45 minutes, including two intervals.


Sung in Italian with English surtitles.


Production Partner

Opera Society


"... one of the three operas to see before you die. With this production, it's time to take the advice."

— Sunday Herald Sun (2010)
The StoryHide

The Duke of Mantua lives only for pleasure of the female kind. No man’s wife or daughter is out of his reach, and while the Duke seduces their women, Rigoletto mocks their misfortune.

The men of the court want vengeance, and when they hear Rigoletto has a beautiful woman hidden away, they plot to abduct her.

The woman is Rigoletto’s daughter, who despite his best efforts to keep her hidden, has already caught the eye of the lustful Duke. He pays a visit to seduce the beautiful Gilda. Before he can complete his mission, Gilda is kidnapped by the mob of men, who take her to the Duke’s palace for his amusement. The distraught Rigoletto vows to take vengeance.

But Gilda loves the Duke, in spite of everything, and is prepared to go to any lengths to save him from her father’s wrath.

Love and vengeance meet in the darkness as the opera draws to its dramatic, devastating conclusion.

Not afraid of spoilers? Read the full snopsis.

Act I

Scene i. The Duke's palace

For three months the Duke of Mantua has been lusting after a lovely girl. He has found out where she lives, and that a mysterious man visits her every night, but he has no idea who she is. One woman is as good as another for the Duke, and when the Countess Ceprano catches his eye he sweeps her away before her husband's eyes.

Rigoletto cruelly taunts Ceprano about the Duke seducing his wife. Marullo rushes in with a diverting bit of gossip: Rigoletto has a lover! Ceprano enlists his friends in a plot to wreak revenge on Rigoletto. They have all felt the lash of the hunchback's tongue, and they are delighted at the chance to pay him back.

Monterone storms in, accusing the Duke of seducing his daughter. Rigoletto mocks the old man savagely, but Monterone will not be silenced. The furious Duke has him arrested, and as he is led away he curses both the Duke and Rigoletto.

Scene ii. Rigoletto's house

As Rigoletto hurries home he meets Sparafucile, a hired killer who engages his sister, Maddalena, to lure his victims to their death - a fateful and disturbing encounter.

Rigoletto broods on his likeness to the killer: both are paid to destroy others, Rigoletto with words, Sparafucile with weapons. His mind is filled with Monterone's curse, and he rails against his deformity and vilifies the Duke's friends who hate and fear him.

His daughter Gilda runs to meet him, and inside the house he forgets his fear and depression. Gilda begs him to tell her about her mother, but he will say only that she loved him despite his deformity. Knowing that the Duke's friends will punish him if they can, he orders Gilda never to go out alone. While he is repeating his warning to Gilda's minder, Giovanna, he thinks he hears a noise in the street and rushes outside to investigate. The Duke, who has been waiting outside, immediately slips into the courtyard, bribes Giovanna and hides. Rigoletto comes back, and the Duke is amazed to find that Gilda is the hunchback's daughter.

Rigoletto leaves, and Gilda confesses that she loves the young man who has been following her. The Duke steps out, saying that he is a student called Gualtier Malde and that he loves her. Their duet is interrupted when Gilda hears footsteps in the street and thinks it is her father. She makes the Duke leave and floats off to bed, rapturously repeating 'Gualtier Malde'.

The footsteps in the street belong to the Duke's friends, who have found the house and are plotting to abduct Rigoletto's supposed lover. When the hunchback comes back they blindfold him, pretending that they are kidnapping Ceprano's wife, and trick him into helping them to capture his own daughter. They kidnap Gilda, and Rigoletto tears off the blindfold and discovers how he has been deceived. Gilda is gone.

Act II

The palace

The Duke is angry and fearful: he has been back to Rigoletto's house and found it deserted. He is sure that Gilda has been kidnapped, and for the first time his emotions are aroused as well as his carnal appetite. His friends come to tell him how they have tricked the hunchback, and the Duke realises that Rigoletto's 'lover' is Gilda and that they have abducted her and brought her to his palace. He rushes away to find her.

Rigoletto enters, frantic with grief and searching desperately for his daughter. The Duke's friends will not help him, and suddenly he realises that Gilda must be with the Duke. In despair and rage he turns on them. He curses and pleads with them, and reveals that the girl that they thought was his lover is really his daughter. Gilda enters. Rigoletto is ready to believe it was all a harmless joke, but Gilda's distress is too deep. He sends the others away, and his daughter's story convinces him that the Duke has raped her. But she is still desperately in love with the Duke.

Monterone passes on his way to prison, and says bitterly that his curse has not worked, since the Duke is still alive and happy. Rigoletto undertakes to avenge them both, though Gilda implores him to be merciful.

Act III

Sparafucile's inn

Rigoletto engages the services of Sparafucile to kill the Duke. He then brings Gilda to a ramshackle inn to witness the Duke, dressed as a soldier, making love to Maddalena. Gilda watches in horror as he seduces Maddalena. Rigoletto instructs Gilda to dress as a man and go to Verona to wait for him. Rigoletto arranges with Sparafucile to collect the Duke's body at midnight.

But Maddalena has fallen for the sexy man upstairs in her bed. Kill the hunchback instead, she suggests. Sparafucile is outraged by his wayward sister, and while the two of them are arguing Gilda returns to the inn and overhears them. Sparafucile proposes a compromise: if a stranger calls at the inn before midnight, Sparafucile will kill him instead of the soldier.

As an act of desperation Gilda decides to commit suicide by giving her life for the Duke's. She knocks at the door, Maddalena extinguishes the light, and Sparafucile kills her as she enters the bar. Rigoletto comes back, and Sparafucile gives him a sack that he says contains the Duke's body. Rigoletto gloats for a while over his sinister treasure. But just as he is about to push it into the river he hears the Duke singing his song about fickle women. Appalled, he tears open the sack and finds his daughter. She is still alive. Asking him to bless her and forgive the Duke, she dies.

Allow us to make your dinner reservation before evening performances: 6pm at Café Vic at Arts Centre Melbourne. You'll be served a themed three-course set menu for just $85, including matched wines.

Simply add dinner to your cart after selecting your tickets.

Entrée
Peppered tuna loin served with avocado mousse, micro celery finished with
               a splash of green onion olive oil.

Peppered tuna loin served with avocado mousse, micro celery finished with a splash of green onion olive oil.
Champagne cocktail on arrival.

 

Main
Smoked duck breast with barley risotto and pumpkin, onion marmalade, toasted
               sesame seeds.

Smoked duck breast with barley risotto and pumpkin, onion marmalade, toasted sesame seeds.
+ a glass of Pinot Noir.

 

Dessert
Apple & rhubarb crumble, poppy seed meringue, sherry sabayon.

Apple & rhubarb crumble, poppy seed meringue, sherry sabayon.
tea or filtered coffee. 

 

Specific dietary requirements can be accommodated, please send us an email after booking.

Published menu is subject to change without notice. Vegetarian and vegan options are available upon request. This menu is only available before performances of Rigoletto.
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